Sir Patrick Stewart is dead. He was so many things, including (arguably) the best Star Trek Captain. And while I might have a different preference there, I do have to admit that Stewart’s portrayal of Captain Picard had a huge impact on my life. He was my space dad—imparting wisdom on a young me as I watched episodes of The Next Generation—sometimes as they aired originally, sometimes in reruns.

Horror and Halloween aren’t entirely about just scaring yourself silly. They’re a tapestry of emotions carefully seeded across a landscape of the dark and macabre. Thirty-two years ago, despite the tragic death of Brandon Lee on set during filming, The Crow hit theaters.

And while I’ve attended more than a few Star Trek conventions at this point (and conventions where tons of Trek stars have appeared) if I have one regret it’s that I didn’t get to meet the man in person. To thank him, for being so many things in his lifetime to look up to. Even if he never did marry my mom.

I know saying something is “the perfect” anything is a little bit fraught. It’s hard to satisfy everyone, and there’s so many different genres and individual taste to consider. Bold though it is to say this is the perfect Halloween Playlist, we’re gonna say it. Because this was the hard work of everyone at Culture Combine, and it crosses genre boundaries, spans decades, and includes deep cuts and pop culture favorites.

SOMA is Greek for “body” and while it’s an apt title, it’s also a bit ironic, as “body” is something SOMA plays fast and loose with. Taking the mechanics that made Penumbra: Overture and Amnesia: The Dark Descent hits, SOMA stays true to that formula while introducing a whole new level of body horror and existential dread. What makes a person a person? What happens when you copy consciousness? If you haven’t played SOMA, I highly recommend you just go and play it. Minor spoil

While a sledgehammer might be a desirable substitute to traditional therapy, it won't solve Pratelle’s problems. Just smash them up.

Horror isn’t just a genre; it’s an amalgamation of pop culture, cozy traditions, and things that go bump in the night. This year, we're taking our 31 Days of Horror across the entire cultural spectrum. We’ll be taking a look at movies that scare us, games that kept us paranoid, scary books we cozy up with under blankets, music that sets that spooky tone and seasonal food we’re craving–or strange food you’d have to tie us up and force feed us. Whether you’re looking for someth

Screenshot: Remothered: Red Nun's Legacy I’ve been playing survival horror games for a really long time. Arguably, since the birth of the genre since I first cut my teeth on games like the Alone in the Dark series before I even started playing Resident Evil. In this time I’ve played some great survival horror, and some terrible survival horror games. (Ironically, games in the Resident Evil franchise touch on both ends of that spectrum.) I would love to say that Remothered: Re

Ecstatica is a historically significant early entry in the survival horror genre—before the genre was even coined as such, in fact. It takes place in 928 AD in a European village named Tirich. You play as an unnamed male or female traveller who seeks shelter in the town only to discover it is overrun with all sorts of creatures.

If you just want a cozy, atmospheric architectural sandbox where you can build a crooked dream cottage on the back of a giant chicken, Reka will scratch that itch–just don’t expect the game around your walking house to be nearly as magical as the house itself.

Animation rarely gets a fair shake, and this Halloween we want to remind you of all the amazing animated thrills and chills you can find.

I’ve given up on hating some things. I’m not saying I love DWTS, but I definitely look forward to it, despite the gripes I still very much have.

https://unsplash.com/@zulfugarkarimov?utm_source=wix-media-manager&utm_medium=referral Horror isn’t just a genre; it’s an amalgamation of pop culture, cozy traditions, and things that go bump in the night. This year, we're taking our 31 Days of Horror across the entire cultural spectrum. We’ll be taking a look at movies that scare us, games that kept us paranoid, scary books we cozy up with under blankets, music that sets that spooky tone and seasonal food we’re craving–or st

Horror isn’t just a genre; it’s an amalgamation of pop culture, cozy traditions, and things that go bump in the night. This year, we're taking our 31 Days of Horror across the entire cultural spectrum. We’ll be taking a look at movies that scare us, games that kept us paranoid, scary books we cozy up with under blankets, music that sets that spooky tone and seasonal food we’re craving–or strange food you’d have to tie us up and force feed us. Whether you’re looking for someth

Ok, hang with me for a moment. When I started hate watching Dancing with the Stars I never said I could keep up with it. I mean, there’s a new episode once a week, and I can’t just binge it in one day either. Not only that, but you have to look at the TV the entire time so you don’t miss anything. This is very different than the TV I keep on for noise while I do things like edit articles and not do laundry.

I’ve played a lot of management games in my time, but Dungeon Inn is something different. Rather than being a pure management game, it’s really a turn-based strategy/puzzle game hybrid in cozy management game clothing. Okay, that metaphor is a bit unwieldy, but the truth is Dungeon Inn has a bit of an identity issue.

Horror isn’t just a genre; it’s an amalgamation of pop culture, cozy traditions, and things that go bump in the night. This year, we're taking our 31 Days of Horror across the entire cultural spectrum. We’ll be taking a look at movies that scare us, games that kept us paranoid, scary books we cozy up with under blankets, music that sets that spooky tone and seasonal food we’re craving–or strange food you’d have to tie us up and force feed us. Whether you’re looking for someth

Horror isn’t just a genre; it’s an amalgamation of pop culture, cozy traditions, and things that go bump in the night. This year, we're taking our 31 Days of Horror across the entire cultural spectrum. We’ll be taking a look at movies that scare us, games that kept us paranoid, scary books we cozy up with under blankets, music that sets that spooky tone and seasonal food we’re craving–or strange food you’d have to tie us up and force feed us. Whether you’re looking for someth

Screenshot: We Were Here Tomorrow Virtual escape rooms and puzzle games have been some of my go-to games since I was a kid. From SCUMM engine games to Myst, I played everything I could get my hands on. Then I discovered the joy of multiplayer puzzle games, and I was hooked. While games like Split Fiction and Big Walk encourage cooperation and involve some amount of asymmetrical gameplay and puzzle-solving, the franchise that specializes in it is the We Were Here series. Hey,

Hellraiser: Revival is so visually visceral and audibly squelchy I found myself holding my head in my hand a few times. Being chased in the Labyrinth genuinely terrified me–and video games rarely scare me. Hell, I felt sick by the time the prologue was over–and I knew that they were on the right track, and it would be a hell of a ride.