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While in 2023, there still exists a subset of people who fail to see video games as art, and instead condescendingly relegate the work of countless artists over the past 5 decades to something only basement dwellers enjoy or understand, the reality is that video games are art, and the more astute among us have known that to be true for decades, having grown up with the medium as it emerged, evolved and ultimately, became what it is today – an art form that not only stands out for its unparalleled ability to immerse players in a narrative or directly involve them in the action, but also one that’s dominated more traditional art forms to become more lucrative than the music and film industries combined. Over 40 years ago, a filmmaker named Steven Lisberger got a glimpse of breakout Atari success Pong and was immediately inspired by a then-emerging medium – video games. He was so excited by Pong that he immediately started dreaming up a concept for an animated movie called Tron. After quite a few iterations, quite a few changes (including a jump from an animated film to a live action film), it found its way to Disney and the rest is history. Tron was released on July 9, 1982, and would go on to be a cult favorite, with stunning visuals and an engaging narrative that would even garner a few Academy Award nominations. It also inspired its own video game based on the film which hit the arcade scene due to local video game company Bally Midway’s infatuation the same year the film came out. Image courtesy Chicago Gamespace But that was just the beginning of the Tron legacy, with a decades-long fascination with that original concept turning into more games, more films, and some truly fantastic artifacts. This legacy represents the emerging art of video games capturing the nation’s imagination and the way that video games and film could inspire one another. As the franchise hit 40, the folks at Chicago Gamespace, an educational and interactive museum dedicated to preservation and education about video games as an art form, were inspired to bring the Tron legacy to light in a brand new way, with their exhibit Light Cycles: 40 Years of Tron in Games & Film. This is a unique opportunity to not only learn about the history of the franchise by examining artifacts and walking the timeline in person, but to actually get a chance to immerse yourself in a carefully curated recreation of Flynn’s arcade, which includes some of the games inspired by the film, like TRON: Legacy Pinball by Stern or Discs of Tron, all generously provided with the assistance of the Logan Arcade, so you can experience Tron in a brand new way while learning all about its history. Image Courtesy Chicago Gamespace Light Cycles' special opening night preview at Chicago Gamespace is set for tomorrow night from 5-7 pm at with an afterparty to follow at the Logan Arcade. Public hours for Light Cycles will be Saturdays and Sundays from February 17th through May 7th. If you’d like to book a visit, buy tickets or find out more, click here.

They don’t make them like they used to—and developer and publisher Dotemu is well aware of this. That’s why they’ve made a name for themselves by revitalizing old games either through sequels, or in the case of Pharaoh, a remake. Developed by Triskell Interactive, this revitalization of Pharaoh is exciting for retro city builder enthusiasts, but I don’t think this remake is going to bring Pharaoh to a much wider audience. Pharoah: A New Era is a city builder and management game based in Ancient Egypt. In it, you play as an architect trying to please his Pharaoh and balance the needs and desires of the people to create prosperous cities. As with any city builder, the goal is to efficiently juggle multiple different resources, including money and people, while expanding or completing objectives in the campaign mode. What makes Pharaoh so unique—and beloved—are its systems that deal specifically with ancient Egypt. Not every city builder has you managing flood plains while appeasing gods, and eventually creating giant Pyramids to honor the Pharaohs. There are a few ways to play Pharaoh: A New Era: in its sprawling 100+ hour campaign mode. Play individual missions or challenges, or play in sandbox mode. Campaign mode works as both a tutorial and a challenge mode. Missions in the campaign range from establishing settlements, to creating military strongholds, spanning over 50 different missions. The missions included in Pharaoh: A New Era includes those that were originally included only in the Cleopatra: Queen of the Nile expansion pack. There is also a sandbox mode that allows you to create your Egyptian city as you see fit, under conditions that you control. Developer Triskell Interactive did a lot to bring Pharaoh into the modern era. For a game originally released in 1999, it looks pretty good with its new high resolution graphics. Each building was redrawn by hand and even certified by an Egyptologist for historical accuracy. The UI has also been redesigned and streamlined for better quality of life. This includes an overhaul of the overview screens—it’s now much easier to get information on your city and its citizens. Much of the city building in Pharaoh: A New Era relies on roads. As such, each city ends up being extremely grid-based—and that means dense cities. A lot of the newly made assets are lost in the clutter. I didn’t play Pharaoh when it originally released, so I don’t have nostalgia goggles coming into this review. I found Pharaoh: A New Era to be a little rough around the edges. The quality of life improvements really help to make Pharaoh: A New Era feel more modern, but it never quite manages to feel like a modern game. Overall, developer Triskell Interactive did a fantastic job updating this classic city builder. However, Pharaoh: A New Era is a niche game that will probably appeal most to those who enjoy city builders and retro games. Pharaoh: A New Era is a beloved classic for a reason, and is worth checking out by a modern audience—even if it does feel a tad archaic. Pharaoh: A New Era is available today on PC via Steam. A Steam key was provided to us for this review

It’s Valentine’s Day and no matter where you fall on the spectrum from “absolutely against” to “bring on the glittery hearts” it’s unavoidable. All around us strawberries are being dipped, flowers sold, and people anxiously awaiting the closing bell at the office so they can jump into their cars for some prix-fixe dinners in their date night finery. And honestly? Every love story begins with an awkward first date, so on our end we say “Love is love! Go get all glittery and goofy!” And if you didn’t want to do that in person, or on a “manufactured holiday” you can always do that from the comfort of your home with a controller in your hand and your partner or friend or even kitty cat beside you. Ten Dates is an “interactive rom-com” (read: Full Motion Video adventure) and follow up to Wales Interactive’s Five Dates, which followed a similar format but took place during the COVID lockdown and only included virtual dates. In Ten Dates, predictably, you’ll be going on a few dates. You play as either Misha, portrayed by Outlander star Rosie Day, or her best mate Ryan, played by Charlie Maher, as they attend a speed dating event, in person for the first time since the lockdown. Ryan, bamboozled by Misha, is more resistant to the idea, while Misha’s in it for fun and adventure. Screenshot: Ten Dates Whomever you choose to play as will fill out their dating profile in an app for some reason (though the speed dating event is in person) and then begin the round robin of speed dating. If you’re playing as Misha, you’ll go on about 5 mini-dates with a lineup of people who represent a few different larger archetypes - jocks, nerds, intellectuals, etc. Though at the top of the game it seems like you’re pigeonholed into straight dating, there are some opportunities to divert from that presented to you as you continue to play. We’d have loved for a game touting its diversity and inclusion to have included an option to have all 5 first round dates be of the preferred orientation for LGBTQIA+ folks as well, but could appreciate that every playthrough at least made it accessible. As dates progress, you’ll get asked questions about a variety of things, from who your character is as a person to what they believe. This brings in the interactive part of Ten Dates. A timer pops up, and you as the player can select one (and only one) option. The choices you make affect the rest of the date and in fact, the rest of the playthrough, and, in an interesting add by Wales Interactive, can be viewed as you go. Questions range from the mundane to the big questions- like whether you approve of one night stands or want someone to stay at home with potential kids. Your answers dictate how the rest of the date and the game goes. One big compliment we’d give Ten Dates is that the acting is genuine, not only for the main characters, but for the supporting cast. Very few if any characters are actually totally unlikeable. In addition, transitions based on your answers are remarkably smooth and don’t seem awkward overall, as they do in some FMV titles, so conversation flows more naturally and this makes the game more believable overall. One of the only things that Ten Dates does suffer from that’s common amongst both FMV games and video games in general is that the answers you select may have context you didn’t intend - and sometimes that can cause a disconnect between you and the dater you’re playing. For example, you might choose to answer that you prefer a good book to a movie only to find this means your character starts saying something negative about film in general that you didn’t intend. Luckily this didn’t happen often and didn’t cause too much strife in the dating scene, though we were also glad to see the chance to challenge your dates and even make innocent jabs at them, which led to a flirtier atmosphere that makes dating more fun in games and IRL. Screenshot: Ten Dates Once the speed dating night has wrapped up and you’ve exchanged socials with those you are interested in who were also interested in you, you go back to your flat and eventually, have a chat about it with your best friend. At this point in the game, you can pick people to go on second dates with, and you’ll be presented with their social media accounts, which you can scroll for further insight. You can also like their pictures, which can come up in conversation later. You’ll then move to your second date round, where the questions become higher stakes, and the opportunity to make your moves arrives. If that goes well, after another download with your bestie, you can choose to try to hook that third and final date, after which you’ll reach some sort of conclusion, good or bad. We had a lot of fun with Ten Dates. Well casted and acted parts meant that even those people who really didn’t match our type could be surprising, and characters were set apart from their defined archetypes. For example, the “lad” who’d just come from a stag-do (jock, bachelor party for the non English among us) did have stories about calculated vomiting and drunken escapades, but also had a surprising amount of depth, character and charm. Likewise, Ryan’s hairdresser date though aggressive, had a softer side and was also an investor and artist. Screenshot: Ten Dates It’s also a lot more fun that we’d realized to play Ten Dates with a partner or spouse, and laugh together over dates gone wrong and awkward moments. Overall, our time with Ten Dates both reminded us why dating could be fun, but also why it could be terrible, and thus ended up being pretty realistic, but very low stakes. If you think you’d have fun with a fictional foray into flirtation, pick it up and take the plunge! Ten Dates is available now on Steam as well as Xbox, Nintendo Switch, PlayStation, iOS and Android.

We’re just over a decade of Tomorrow Never Knows festivals and they just keep getting better. TNK takes over a nice collection of local venues every January (save for that one COVID year) and has always been a pretty good barometer of the indie music scene. This year continues that with some amazing shows on the lineup. For night one of this year’s TNK I go tthe chance to see some favorites of mine at Schubas: V.V. Lightbody, Free Range, and Tomberlin! Vivian McConnell, or V.V. Lightbody as music fans know her, started off the night almost giddy with excitement to let the crowd know she walked on stage to a song from Zelda: Ocarina of Time (“Zora’s Domain”). That energy completely radiated off of her and had the crowd enamored with her set, as they rightly should be. McConnell’s songs are incredible and her opening set really let them shine. “If It’s Not Me” is one of her standout tracks and definitely seemed to be the crowd’s favorite of the night. A song about poise and understanding in the midst of breakup, McConnell maneuvers through its complex emotions with deftness. She isn’t afraid to get personal with her songs, delving to so much throughout the night including the light spats one has with their partner (which she kindly calls precious moments). I think it’s that honesty that gives her onstage aura a completely welcoming hue, especially when her friend Jordan Reynold of Rose Hotel joined her onstage. The pair, who both reminisced about performing together for the first time right there at Schubas a few years ago, serenaded the crowd for a couple of songs before McConnell walked off stage. Once again it was a Zelda: Ocarina of Time song, this time around “Gorgon City.” Free Range, the project of Sofia Jensen, took the middle spot of the night with an impressive set. She began the set remarking on the evening’s lineup “Three solo singers, that’s my kind of set. I was made for this.” And sure enough ,they were right. Jensen’s voice and guitar had the spotlight to themselves and were more than strong enough to get the crowd completely in their feels. Performing songs from the upcoming Practice (which has a release show at Schubas on 2/24), Jensen seem completely at ease on stage. “Want to Know” certainly felt like the centerpiece of the set with Jensen joking around about the car donuts she was pulling off the song’s music video. The song itself is a really pristine example of Jensen’s direct and inviting folk style. Tomberlin took the headlining spot at Schubas and as always, was an absolute marvel. I most recently saw her open for Tegan and Sara in November and while that was a great set, a sinus infection was taking its toll. This time around though Sara Beth Tomberlin was in full force, delivering my favorite sets of hers I’ve had the chance to experience. The opening chords of “Any Other Way” range out into the packed Schubas crowd with all the sincerity that song needed. It’s a hefty track full of sad and tender emotions of someone that is unsure of their place in the world. “You said that I was brave, but I just feel insane” sings Tomberlin with an understanding that exudes empathy. You can’t help but feel every word she sang. “Ever date an alcoholic?” she asked the crowd, “I don’t recommend it but you might get a few songs out of it. Here’s one of them.” Despite that bit of sarcastic self deprecation, Tomberlin’s songwriting soared in “Wasted.” Even when Tomberlin is pushing away her experiences in her intro to songs, her songwriting defies it and lets you in on so much. Lines like “I know I’m not Jesus, but Jesus, I’m tryin’ to be enough” off “Born Again Runner” lets a bit of her wry wordplay mess with your expectations and delivers a strong and powerful song. “Do you guys ever disassociate? … Anyway here’s another song about my little problems,” she remarked before delving into one of my favorite newer songs of hers: ” Tap.” It’s a song that makes it easy to just lose yourself in as Tomberlin lets her lyricism get loose as her voice dances along the lines.. “I’m not a singer I’m just someone who’s guilty,” she gently sings, once again showing just a little more of her unease despite being so damn talented. Tomberlin closed out her set with a cover of “Natural Light” by Owen Ashworth, who you might know better as Advance Base or Casiotone for the Painfully Alone (and happens to be playing a TNK show at Schubas on Saturday 1/21) . She mentioned how often people remark it’s their favorite song of hers, another moment where she relishes in joking at her own expense. But as you hear the song emerge from her, she makes it all her own. Tomberlin’s voice turns the song of a past relationship all the more devastating as its final lines float away “I found a picture from before the fight. We’re in natural light and you’re sitting on my lap like everything’s all right.” It tied a truly beautiful, albeit sad, knot to a night full of deeply emotional songs. All photos by Julian Ramirez This review was originally published at Third Coast Review. You can check out more pictures here.

When you’re reaching 30 years as a band and you have as much in the tank as Modest Mouse, you should count yourself as lucky. While there have been elongated breaks between the last few releases, Modest Mouse is not about to start slipping. Last year’s The Golden Casket reassured fans that Modest Mouse was still in that game and ready to deliver a great album. Every release is as anticipated as the last, but there is just something special about the tried and true favorites. Thankfully Modest Mouse know this and with the 25th anniversary of The Lonesome Crowded West, that meant a tour playing the album in its entirety was on! The Lonesome Crowded West is one of those undeniable albums of the ’90s, truly capturing a moment in time and making it feel everlasting. It’s an album full of all the anxieties and the inevitable disillusionment we all face (and so many on the road/wanderlust metaphors) while shifting from gentle and sad sounds to pulse -ounding ragers. In December at the Riviera Theatre, Modest Mouse reminded the packed crowd just how special that album continues to be. Barring the encore and special VIP pre-show, the set stuck faithfully to The Lonesome Crowded West as promised. Seeing a full album, especially one as diverse and as enthralling as The Lonesome Crowded West is always a treat. There’s just something about mixing the at-home experience of listening to a beloved album track list with the live show theatrics. Then when you take into account Isaac Brock’s commanding stage presence that was on from the start, you have a show that was as relentless as it was cathartic. “Teeth Like God’s Showshine” obviously kicked things off as Modest Mouse threw the diehard crowd headfirst into the show. Despite knowing exactly where they were going next, Modest Mouse‘s set felt lively and special. There was a rush knowing that after the raw and rollicking “Doin’ the Cockroach” and “Cowboy Dan” would be the heartbreaking “Trailer Trash.” That three-song portion of the night that fell right in the middle of everything showcased just how eclectic and powering The Lonesome Crowded West is. The anger of a tiresome existence in “Doin’ the Cockroach” and the feeling of futility in “Cowboy Dan” lead in wonderfully to the vulnerable “Trailer Trash.” The line “And I guess that I miss you and I’m sorry if I dissed you” rang out with all the sadness it needed. The same could be said about every song that evening. No song felt like it got the short end of the stick. instead every track felt like it got the exact amount of vigor it called for, both from Modest Mouse and the excited crowd. “Out of Gas” and its chant-like cadence had the crowd mesmerized. The rapid fire rage of “Shit Luck” was coupled with flashing lights and audience members letting their frustration out, screaming along. Brock’s dark ode to depression “Polar Opposites” echoed along with the Riviera during its labored chorus “I’m tryin’, I’m tryin’ to drink away the part of the day that I cannot sleep away.” The show came to a close with a three-song encore that took a little side tour of Modest Mouse‘s catalog. A cover of The Flaming Lips (“Five Stop Mother Superior Rain”), a current tour staple but rarely played before “Edit the Sad Parts,” and an older but perennial classic in “Night on the Sun.” It was a nice little cherry on top of the evening and even if the band had played some more of their hits throughout the night, I still think the heart of the show would have the enduring quality of The Lonesome Crowded West. All photos by Julian Ramirez This review was originally published at Third Coast Review. You can check out more pictures here.

Nintendo Directs are a little bit like a holiday. We all know that Nintendo likes to keep things close to the chest as far as announcements, so whenever a Direct comes along for a lifelong Nintendo fan like me, it makes us feel a little giddy, like Christmas morning. That’s not to say it always ends up being great, as sometimes the news is just meh. It’s hard to know what to expect, but now that we’ve had a chance to sit down and take it all in, I think it’s fair to say that there’s some exciting stuff coming down the pipes for the Nintendo Switch in 2023. As always, there’s rumors and high hopes, and that comes with disappointments. Animal Crossing fans hoping for something new got no such thing - and that makes sense, since the company already said there’d be no big updates to the game last year. Similarly, news of Metroid Prime 4 was not forthcoming. So what did we get to look forward to? The Direct kicked off with titles like Pikmin 4, coming in July of this year, a Xenoblade Chronicles Expansion Pass DLC with a new character, Lapidarist Masha, and the inclusion of roguelike battles and the potential to win outfits, with a promise for more with Volume 4 later this year, a fun looking rhythm/dance title, Samba de Amigo Party Central, and a fashion game called Fashion Dreamer. Some other interesting pulls from the front half of the showcase include Dead Cells: Return to Castlevania, which features Belmont himself, and battles with Death and Dracula, as well as the return of classic weapons and a ton of great music from the game, with 12 covers and 51 songs included. If you’re as psyched as we were about this, it’s coming March 6 and you can preorder it now on the Nintendo eShop. TRON makes a return to consoles too, with an April 2023 release of TRON: Identity looking intriguing. This narrative puzzle game looks gorgeous and includes a story that changes with your decisions. Bayonetta fans get a look into the before times with Bayonetta Origins: Cereza and the Lost Demon, which not only lays out Bayonetta’s beginnings, but features a beautiful art style and all new gameplay in which you control Cereza and the demon Cheshire at the same time. Look for this title on March 17th. Splatoon 3 will be getting a brand new expansion pass DLC in two waves, with the first of the two taking squid kids back to Inkopolis from the first game. The details were a little fuzzy on what exactly that’ll mean, save for new places to shop (though items are the same in both shops) , though we were excited to see that Marie and Callie will perform there during SplatFests. A little more intrigue came from the peek at Wave 3: Side Order, which seems to put the squids in a winter wonderland and feature some interesting lore, though that’s all speculation from a few artistic scenes. Wave 1 hits in Spring, but you’ll have to wait til “the future” for Side Order. Some of the other big takeaways include the addition of Game Boy Games to Nintendo Switch Online, which went live yesterday and at launch includes Tetris, Super Mario Land 2, Link’s Awakening, Gargoyle’s Quest, Game & Watch Gallery 3, Alone in the Dark: The New Nightmare, Metroid II: Return of Samus, Wario Land 3, and Kirby’s Dream Land Game Boy Advance games are also coming to Switch for those with the Nintendo Switch Online + Expansion and include Super Mario Advance 4, WarioWare Inc: Mega Microgames, Kuru Kuru Kururin, Mario Kart Super Circuit, Mario and Luigi Superstar Saga, and Legend of Zelda: The Minish Cap and are also live for those subscribed at this level. One of our favorite reveals of the day though had to be Metroid Prime Remastered, which is great for anyone who’s been pining away for something new in the Metroidverse, and features new dual-stick controls (though you can also play with classic or customized controls) and was an immediate digital release surprise, with a physical version coming on February 2022. Meanwhile, Mario Kart 8 will see Wave 4’s DLC with a Booster Course Pass that adds a Yoshi’s Island course as well as Birdo, who first debuted in Double Dash, in Spring of 2023. It wouldn’t be a Direct if we didn’t end on a big one, and there was no disappointments here, as Tears of the Kingdom got the expected spotlight. It looks gorgeous, expansive and every bit as enticing as the first, and you can expect it to drop on May 12, 2023, with pre-orders already underway. A special Collector’s Edition will also release on Launch Day alongside a brand new amiibo, so if you’re a collector, the time to reserve yours is now. There is plenty more we didn’t get to cover, but luckily for everyone, the Nintendo Direct can be viewed in its entirety here. What did you think of this first Direct of the Year? Did it leave you hyped or disappointed? Let us know in the comments.

2020 made the home office king. Lockdown forced most 9 to 5 corporate folk to find a nook in their home to set up a laptop and get down to business. Many, myself included, even made a home office a permanent fixture in their home and have made it a haven for productivity. But you don’t just have to do your computing in the office- or your gaming. Sometimes, you want to be a lot less formal and a lot more comfortable. This is where the lap desk comes in – for days when gaming, typing and streaming should be happening from under your cozy blanket on the couch with your pet purring nearby. This is what Nerdytec is looking to perfect – the cozy couch PC gaming experience. Sure, it’s a niche, but more people than ever are gaming, and many of them are doing it on powerful gaming laptops. There are a lot of lap desks out there, but it’s surprisingly hard to find something comfortable, easy to use and spacious enough for using a mouse, let alone putting down a drink or plugging in peripherals like a headset. And, as anyone who’s spent any time on the couch with a laptop knows, it can get pretty hot. The Couchmaster line ambitiously tries to tackle each of these problems to create the cushiest, most ergonomic and tech-forward lap desk experience out there? But does it live up to the hype? We took the Couchmaster Cybot for a spin to see how we’d feel after a few work sessions. To start with, the Couchmaster Cybot is BIG. I was honestly shocked when the box arrived at our door. This is mostly due to the giant digi-camo cushions that form the base of the desk. Then there’s an extra long lap desk surface with a built-in vent to the left and a tablet holder to the upper right. There are also pouches on the sides and front that allow you to store other items you might need or tuck up your mouse cable. Higher end models feature cable management systems underneath and even USB ports for plugging in those aforementioned peripherals. There’s no assembly required, as nothing actually attaches to anything else (save for the mouse pocket pouch). You simply set the cushions up on either side of you on the couch and place the lap desk on top. The cushions can only be so far apart to accommodate the desktop, and are a fixed height and length. For our couch, even if they’re pushed all the way back, some cushion hangs off and everything slants downward. Other problems arise based on body type, with everything from height to girth threatening the ability to actually use it in a functional manner, let alone comfortably. I was able to get myself tucked into its confines, but the ergonomic, comfortable computing I was promised is close to nonexistent. I think it’d help if the cushions were about 1 to 2 inches taller, but even this wouldn’t completely resolve the issues. As for the desktop, it’s incredibly solid, and the vent well thought out, though I do find the placement on the far left in this model problematic, as I had to either keep my laptop further left than optimal or forego some of the vent space. There’s ample room for a mousepad though, and were the desktop able to lay flat on my particular couch, even room for a drink. I also enjoyed the handy pockets and pouches, though I wish the tablet stand section was a little wider so it could also accommodate a mobile phone. Another issue I personally had with the Couchmaster Cybot was mobility. While once seated, everything grips well and seems to stay put thanks to the weight and textures, when it’s time to get up to get a drink or stretch, it’s cumbersome to get out of your cozy gaming setup without dumping your expensive electronics. Sure, you can set the massive board aside, but you have to have a space nearby that’ll hold the leviathan of a desktop. I can’t fault it entirely for this though, as one of the main things I did enjoy about this particular lap desk was all that real estate. Overall, the Couchmaster Cybot gets some things really right – it’s the biggest and best built actual desk space I’ve encountered in all my “work on the couch” trials. The cushions are also well built and all materials are sustainable, according to the company. However, the parts are greater than the whole, and once set up, anything from hip width to arm length can make it a no go, with couch design another potential limiting factor. I wish it worked a little better with my couch and my physicality, but it just doesn’t, and for that reason I’m still on the hunt for something that’ll really bring home that cozy couch PC gaming/work from home experience I’ve been looking for. If you’re interested in the Couchmaster series of lap desks, including a new one in the lineup called the Cyboss that addresses several of our issues with the Cybot, click here to visit the nerdytec website.

As always, free comic book day stands as a celebration for all that is comics but also is a time for solicitations and previews into what’s to come with some major titles. This year proves no different with Marvel’s four free previews coming to free comic book day (May 6th.) Here’s a breakdown of what we’re excited to check out from Marvel on our sacred celebration. We get a look into the upcoming Fall of X with an Avengers X-Men crossover event. This preview looks to bring an end to the Krakoan storyline and puts a new lineup of the Avengers Xmen Hybrid team with Rogue, Psylocke, Penance, Quicksilver, Captain America and Deadpool. This new team book looks to be launching next year. There’s a Spider-Man Venom crossover that officially launches Summer of 2023. The series will star Carnage, Red Goblin and loads of other symbiotes. We also get a look at the new and improved Spider-Man with his gold suit. Readers can see what’s been happening since Zeb Wells and John Romita Jr started their run and will begin the Summer of Symbiotes event. Marvel Voices is an ongoing series that spotlights diverse creators and characters across the Marvel universe. Plan to check out short stories starring Nova, Miles Morales, Black Panther, America Chavez, and many more! Check out a fresh new issue from this critically acclaimed title. Finally, we get Spidey and his Amazing Friends. Targeted at readers aged 5-7, we get to see cartoony spidey with his friends Spider Gwen, Miles Morales and Ghost Spider get into all sorts of wacky adventures. Based on the hit Disney Junior show, easy to read and comes complete with activity pages. Check out these and many other titles on May 6th 2023 at a comic book store near you!

Every once in a while there is a show lineup that looks strange on paper but you know it will hit the spot. This was certainly the case when hardcore punk band Turnstile announced their tour featuring indie rock stars Snail Mail and experimental rapper JPEGMafia. It’s the sort of lineup that just sounds fun, combining these seemingly distant artists’ genres into one delicious mosh. This past Sunday at Byline Bank Aragon Ballroom, the prophecy came true as the three acts turned the venue into a smoldering mosh pit . Snail Mail kicked off the night, starting the night off with a few lighter sounds than what would follow. I've had the pleasure of seeing Lindsey Jordan perform a quite a bit in smaller venues and she's always a pleasure. Her voice, both as a songwriter and singer, is fantastic and always a treat; even when the world has a few tricks up it's sleeves like it did during this performance. Despite a failing pedal board and other equipment out right not working, Jordan pushed forward, annoyed with the bad luck that had fallen on her. She attempted to play a song or two with out the pedals and while the crowd was certainly supportive, it was just to much going wrong beyond her control. "I'm just gonna sing Valentine and fuck off because this is not fun." she said at the end of her set when everything had finally been too much. It;'s a shame because of what we did get to hear was excellent. I just hope the next time I get to see her in a big venue, luck is on her side. JPEGMafia, the rap alias of Barrington DeVaughn Hendricks, took the middle spot in the lineup and before the lights even dimmed, the crowd was getting rowdy. I had seen JPEGMafia, or Peggy as the crowd would be chanting all night, quite a bit as well so I knew what was in store. Saying that JPEGMafia is an unrestrained performer is an understatement. After a brief and chill intro there was no stopping the man from running around on stage, amping up the growing moshes in the crowd. "Jesus Forgive Me, I'm a Thot" is a fantastic party starter and Peggy never let the party stop rolling. The floor was quaking as much as you'd expect and JPEGMafia was giving it back to the, blasting his songs to an overwhelming degree. Whether he was looking for his bald brethren in the crowd to rise up for "BALD!" or jumping into the crowd and performing in the midst or swirling fan's moshpits, JPEGMafia was the exact kind of energy the night needed. Add to that a covers of Denzel Curry's "VENGEANCE | VENGEANCE" or Carly Rae Jepsen's "Call Me Maybe" which only riled up the adoring crowd even more, and you have a show stealing set. Honestly you haven't lived until you've seen three separate mosh pits and a miniature Wall of Death form to sounds of Peggy serenading the crowd with "Call Me Maybe". While on any other night that performance would have been the cherry on top, Turnstile was the main event and treated there performance as such. There was a short reprieve after Peggy's set where the crowd seemed to harness an remaining energy to match that of Turnstile's forthcoming set. I can safely say they near matched the group's energy, but Turnstile was here to throw a banger of a show and they delivered. Coming off their incredibly GLOW ON album, Turnstile made sure to play the majority of those hard hitting and catchy tracks. "Now it's a holiday", the opening lyrics of "HOLIDAY" rang out with all the fury you could expect from lead singer Brendan Yates, staring off the set just right. With in moments of that first chant crowd surfers were scattered throughout the crowd, getting set straight to the front of the crow en masse. Turnstile played pretty nonstop, keeping that energy going for the entirety of their set and the crowd was there for it. The tour and motto of the band is Love Connection and you could definitely feel that relationship with the the band and the crowd. As the moshes surged and the night was coming to an end, Turnstile left the crowd just a little more connected, closing their set with rapid fire "T.L.C. (Turnstile Love Connection)". "I want to thank you for letting me c myself, I want to thank you for letting me b myself" rang out and that Sly Stone interpolation/reference couldn't have been more apt this evening. No matter the act, genre, or person, everyone was just being their genuine selves as the enjoyed one hell of a show. All photos by Julian Ramirez This review was originally published at Third Coast Review. You can check out more pictures here.

By Alex Orona Of all the ongoing Doctors in the long running Doctor Who series, there is one black sheep in the bunch that is Paul McGann. He was introduced in a made for TV American Fox movie that was meant as a backdoor pilot to a new reboot series. Written and produced by Matthew Jacobs, a British writer/actor/producer/director, who’s previous credits included The Young Indiana Jones Chronicles and The Emperor's New Groove. During the 2022 Chicago Tardis Convention (celebrating all things Doctor Who,) a new documentary was screened: Dr. Who Am I, chronicling Matthew Jacob’s return to the fandom that had universally turned their backs on him in 1996. Jacobs’ love of Dr Who began early on, when his father played Doc Holliday during the original first doctor run back in 1966. It’s a story retold more than a few times throughout the documentary, as Matthew was present on set during the filming. This gives him personal stake in the fandom, when he comes to write the fateful movie in. Unfortunately, with his film, he commits some cardinal sins of classic Dr Who tropes that have generally offended the more devout enthusiasts These sins include putting the Doctor in America and giving him a romantic love interest. These were things that were always and still are taboo in the series. As of right now, enough time seems to have passed, that the fanbase hate has moved on to whatever else is in the zeitgeist and the 8th Doctor is seen only as an oddity. So Jacobs’ timing is perfect for a return to conventions everywhere. Regrettably, his personality seems defensive and standoffish when it comes to criticism of his work. There’s little regret, nor does he feel like he should answer for the abhorrent response the film received. While it’s okay to want to move past a regrettable piece of art, there are moments in the documentary where Jacobs fires back at the fans themselves, criticizing their lifestyles and using fandom as escapism. Although the documentary has chosen an interesting subject matter in Matthew Jacobs, I felt like he didn’t do a lot to make himself come off as redemptive but instead as someone finally ready to argue with the ones that hated his work. You can’t help but find Jacob’s as dislikable at points in the film. More confused as to why fans don’t just “get over” his movie and move on with their lives. Outside of the return to fandom, the film’s secondary story is one of Jacobs’ return to those that were involved in the film itself. Not unlike an alcoholic seeking those he’s wronged, he meets up with the actors and producers on the film discussing the process of making it. Reliving the good ol’ days and discussing the culture around their film as a whole. At some points, Matthew digs into how some people had totally abandoned him during the backlash, only to reconnect in a nonchalant way. I wouldn’t say it felt forced, but the rekindling of these relationships didn’t carry as much emotional weight as the film makers may have wanted. The actors and producers seem to show a love and humble understanding for the fan reaction, Jacobs is all too keen to dismiss the criticism as anything other than overblown misunderstanding of art. In the end, Dr Who Am I is a solid look into the creation of one of the weirder segments of Doctor Who history. It provides a glimpse into the creation, intent and history while also humanizing those involved in its creation. Matthew Jacobs, on the other hand, is quick to push back against the fans that make up the Dr Who culture. Despite the warm welcome back into fan conventions, it’s clear Jacobs still has a chip on his shoulder regarding his art and lacks an emotional arc throughout. By film's end, Matthew admits that he has learned nothing from his experience that he would rather be worshiped than worship. Kudos to Matthew Jacobs and his co-director Vanessa Yuille for being honest in the film's portrayal. It’s an authentic look at an jaded director’s return to the fanbase that shunned him. Matthew may be flawed but his story is an interesting piece of Whovian history for sure.

Rhythm games have been a thing for a long time now. Doing anything to a good beat makes it that much better, and video games are certainly no exception. In fact, it's one of my favorite genres of games overall, and represents some of my favorite games of all time, including PaRappa, DDR and BeatSaber, not to mention other favorites like Ragnarock and Audio Trip. I've played my fair share, as you can probably tell, and Hi-Fi Rush is fresh, fun and funky. In Hi-Fi Rush, the entire world marches to the same beat. Rather, everything around you, and everything you do, is to the beat. You play as Chai, the hapless, somewhat obnoxious youth who's been bamboozled into a project that purports to work on robotic/mechanical implants, which you happen to have. But something wicked this way comes, as it usually does, and this entire experiment may not be on the up and up. Luckily for you, in a not that tragic accident, your ipod gets jammed into your body right around where your heart should live, and your arm implant gets imbued with magical guitar powers Wayne and Garth only dream of. You're going to have to escape the facility Austin-Powers style, but there's more than sharks with frickin' laser beams attached to their frickin' heads to battle. Hi-Fi Rush incorporates rhythm into everything, which means there's a lot of different ways rhythm comes into the gameplay. As I mentioned before everything happens to the beat - your footsteps, the whoosh of machines, the music (and the soundtrack is FIRE, by the way.) What's nice is that even if you're a little tragic with keeping a beat, you can play Hi-Fi Rush. There's a few difficulty settings, and for at least the combat, you'll always hit "on the beat" but not precisely so. The game actually requires the precision of a game like Pa-Rappa to excel at, which makes a band nerd like me giddy, but though you'll be thrown quick syncopation and combos drummers regularly parse, if you absolutely can't get it on beat, you'll still be able to defeat enemies and even bosses- it'll just take you way more time and you'll likely not score super well. Chai acquires friends and powers as he carries on trying to find his way out, and can use them to his advantage. Peppermint breaks shields and distracts foes, while heavy hitter Macaron breaks special force fields. 808 the cat is not only a visual and audible metronome, but has powers of their own to wield in game. If that's not enough, you can set a visual metronome to pin to the bottom of your screen to help you as you battle bot after bot and take on big bad bosses until you've defeated the entire evil corporation and...well, we'll let you figure out that last part. Combat is fluid and fun and features great combos and specials you'll be able to buy with gears or other in-game currency you'll find scattered about the world. If you're an explorer who likes to loot things, Hi-Fi Rush has no lack of little places full of treasures to uncover. There's a few places where precise rhythm is the only way -- mostly in stage settings where you're learning a new technique -- but all in all, Hi-Fi Rush remains attainable for even the less musical among us. Add to the great beats great artists like Nine Inch Nails and a comic-book meets Sunset Overdrive aesthetic and you've got a recipe for a super addictive, fun and funny romp that will have you tapping your toes...hopefully in time. Hi-Fi Rush is available now through Xbox Game Pass and on the Microsoft Store as well as for PC via Steam.

You know no matter what the groundhog said, there’s more winter ahead, right? And that means it’s going to be cold and miserable (Unless you’re somewhere in Florida or Hawaii or California or something…then congrats - you already are warm, more than likely!) What’s great for cold and miserable winter days (or rainy and miserable spring days)? Soup. A nice, velvety, warm mug of soup you can wrap your entire body around. Something that’s simmered for some time, melding flavors together into a symphony of comforting flavors waiting to warm you up from the inside out and give you that “homey” feeling. And sure, you can order soup from Grubhub and chance getting a greasy topped French onion that’s lost a lot of its charm, but you can also turn the stove on, chop a few ingredients, warm up your kitchen and give yourself the gift of a nice warm pot of soup you can eat from all day and then freeze for the next round of dreary doldrums. Here’s three of our absolute favorite soups to wake up your weekly routine and comfort you with their warmth and depth of flavors. And don’t worry - we’ve tested these recipes time and again and can tell you they’re worth the effort! White Lightning Chicken Chili: Let’s start with a chili that’s been a favorite for a lot of reasons for me personally. This was one of the first chilis I ever made when I first started cooking, and it’s also representative of my time in New Mexico, where you can’t eat anything without a little bit of green chile in or on it. I love some good spicy heat to go with my hot soup and this is one of my favorite ways to get that. It’s easy to make, you can skip the dairy if you’re lactose intolerant or want to eat a little healthier, you can add more or hotter green chiles to dial up the spice if you’re a chilehead, or sub in a rotisserie chicken if you don’t feel like cooking chicken on your own today, and it’s great with a whole plethora of toppings and dippers. Consider this instead of your standard beef and bean chili as the big game approaches! As prepared by Rachael Ray West African Ground Nut Stew: Here’s one for anyone who’s grown tired of the same ol’ soups that every salad bar and grandma’s cabinet has to offer. It’s rich, comforting and full of bold flavors and it’ll be a new favorite for sure. It even got the lifelong sweet potato hater in me to acquiesce! As seen on Simply Recipes Broccoli Cheddar Soup: I like variety, and I love trying out new flavor combinations, but I’m also into the classics. Tomato soup and grilled cheese, pumpkin spice if it’s your thing, and DEFINITELY broccoli cheddar soup. It’s a classic for a reason, and that creamy, cheesy goodness is tops. Go all out on the cheese with expensive sharp cheddar or a mix of fantastic cheeses and see where it takes you! As seen on The Pioneer Woman